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TITLE: AMERICAN ARTIST Magazine
[Artist magazine of largest circulation. Artist profiles/interviews include multiple photos and reproductions over multiple pages, PLUS: Illustrations, technical features, columns, vintage ads and MORE --Exclusive MORE MAGAZINES detailed content description, below!]
ISSUE DATE: NOVEMBER 1987; VOLUME 51, ISSUE 544
CONDITION: Standard sized magazine, Approx 8oe" X 11". COMPLETE and in clean, VERY GOOD condition. (See photo)

IN THIS ISSUE:
[Use 'Control F' to search this page. MORE MAGAZINES' exclusive detailed content description is GUARANTEED accurate for THIS magazine. Editions are not always the same, even with the same title, cover and issue date.] This description copyright MOREMAGAZINES. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17

COVER: (inside photo) Kent Ullberg working on clay model for Watermusic, a 15' high sculpture of polished stainless steel and black granite. Collection Corpus Christi National Bank.

FEATURES:
COVER STORY: THE AMERICAN ARTIST COLLECTION: KENT ULLBERG by M. Stephen Doherty This year, the American Artist Collection commissioned a sculpture from Kent Ullberg whose works are acclaimed for their strong designs and monumental presence.

A CONVERSATION WITH ROBERT DUFFY by Charles Movalli. Massachusetts artist Robert Duffy describes his approach to painting landscapes and sporting scenes in watercolor and oil.

THE WATERCOLOR PAGE: JUDI BETTS. This artist from Baton Rouge, Louisiana, explains her approach to watercolor.

SUZANNE LEMIEUX by Betsy Schein Goldman. "Doing extensive preparatory work for a pastel or oil does not diminish the spontaneity of the creative process," says this California artist. "On the contrary, that process increases the spontaneity.".

REEVE SCHLEY III by Margaret Mathews-Berenson. The simplicity of Reeve Schley's watercolors is deceptive, for the paintings demonstrate the important idea that subjects can be analyzed according to the consequential relationships of their colors.

A CONVERSATION WITH MAURICE KENNEDY by Charles Movalli. This Massachusetts artist, who studied with both Henry Hensche and Frank Reilly, discusses his approach to oil painting.

MAKING YOUR OWN MAT-CUTTING CLAMP AND GUIDE by Gregory H. Cohen. This Florida carpenter designed a clamp and guide he could use for cutting the mats his wife needed for presenting her watercolors. Cohen offers a step-by-step demonstration of how others can build the same piece of useful equipment.

DEPARTMENTS:
FOOTNOTES, LETTERS.
PSYCHOLOGY OF ART by Jerry Croghan.
PROFESSIONAL PAGE by Daniel Grant.
ART MART, QUICK TIPS, BULLETIN BOARD, ART BOOKS, COMING IN DECEMBER, HOLIDAY GIFT GUIDE, INDEX TO ADVERTISING, EXHIBITS.


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