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TITLE: METROPOLITAN OPERA NEWS (with program)
[RARE and interesting magazine and program issued by the Metropolitan Opera Guild.]
ISSUE DATE:
NOVEMBER 19, 1956; VOLUME XXI: NUMBER 3
CONDITION: Magazine size: Approx 7" X 10". COMPLETE and in VERY GOOD condition.(See photo)
IN THIS ISSUE: [Use 'Control F' to search this page. MORE MAGAZINES' exclusive detailed content description is GUARANTEED accurate for THIS magazine. Editions are not always the same, even with the same title, cover and issue date.] This description copyright MOREMAGAZINES. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
THIS WEEK : the pictures of our cover montage are identified on the third cover of the magazine. Guild members and others who miss the
Annual Survey, heretofore tabulated in OPERA NEWS, may secure this information, without the listing on churches and high schools but
augmented by valuable notations on scholarship awards, chamber repertory, bibliography and English translations, by sending $2.00 to the
Central Opera Service, 147 West 39, N.Y.C. 18, and requesting a copy of OPERA MANUAL. To commemorate the hundredth anniversary of the
death of Robert Schumann, who said, "One should never miss the chance to hear a good opera," Walter Ducloux, head of the Opera
Department of the University of Southern California in Los Angeles, writes of Genoveva.
Issued weekly during the Opera Season and fortnightly in the Spring and Fall by
THE METROPOLITAN OPERA GUILD 654 MADISON AVENUE, NEW YORK, N. Y.
Articles and full program listings, including photos from the production!
Names, Dates, Faces.
U. S. Opera Compass, 1955-56, by Frank Merkling.
Chicago: Lariats and Lackeys, by Mary Jane Matz.
Follow-up reports:.
San Francisco, by Joseph Kerman.
N. Y. C. Center.
Galaxy at Buenos Aires, by Eduardo Arnosi.
Metropolitan Opera Benefits.
Thank You.
Schumann's Theatre Revisited, by Walter Ducloux.
Aspen Novelties, by Emma Brady Rogers.
Tanglewood Imps, by Laura Tappen Safford.
Soviet Gesture, an interview with Jan Peerce.
Gotham Demigods.
Flight from Urbana, by Claude V. Palisca.
Thrills and Chills in the Ozarks, by Jo Bangs.
OglFortnight, by Owen Rachle f}.
Creole Opera, by Douglas MacKinnon and Willard Adams.
Opera on Records, by Karl F. Reuling.
High Fidelity, by Karl F. Reuling.
Companion, Quizmaster, Critic, a Review.
______
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