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TITLE: Writer's Digest Magazine
["America's Leading Writer's Magazine" -- See FULL contents below!]
ISSUE DATE:
November 1976; Vol. 56, No. 11
CONDITION:
Standard sized magazine, Approx 8oe" X 11". COMPLETE and in clean, VERY GOOD condition. (See photo)
IN THIS ISSUE:
[Use 'Control F' to search this page. MORE MAGAZINES' exclusive detailed content description is GUARANTEED accurate for THIS magazine. Editions are not always the same, even with the same title, cover and issue date. ] This description copyright MOREMAGAZINES. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
COVER: In Praise of Public Relations Writing.
Cover: Michael Dektas/John Brady.
In Praise of Public Relations Writing, by Georges Carousso. Going into PR means never having to say that you're sorry -- that you abandoned more exalted halls of journalism for it, that is. "PR writing is the most challenging and creative writing ever discovered," says Carousso. "The main difference between it and magazine writing is that you get paid for nearly everything you write." Publicity Releases: Say It With a Kiss, by Thomas J. Rizzo. We all like to read. But no one -- particularly a busy editor -- likes to read and read to get to the point of a publicity release. Here are some pointers on how to keep your releases simple and lively -- so they will keep you in clover.
Richard Condon: Bestsellers Are His Business, by Arturo F. Gonzalez, Jr. Today, TV dinners. Tomorrow, novels on TV. "Communication is going to become almost completely electronic," says Condon, whose 14 novels (and six million sales) have secured him an Irish home, over $250,000 a year, and contracts insisting that he or his estate be reimbursed for any electronic reproduction of his work. For the scoop on a free ride in Ireland, see Begorra! No Income Taxes for Writers! (page 25).
Patterns for Writing That First Feature, by Merla Manor. The world was created in six days. But Merla Manor learned feature writing in three. And then she took time off to share with you her recipe for writing a feature easily.
Those Who Can, Teach, by Judith L. Davis. Remember the 3Rs? Well, if you know your literary Ps and Qs, you should consider returning to school -- to teach 'riting. It's fun and profitable. Kathryn Haueisen's Back Up the Down Staircase (page 30) lists the state requirements for becoming a teacher -- and you'll also need to know Why Lori Can't Sell -- and Janet Can (page 29), by Maria C. Shecktor.
Contesting, by Selma Glasser. Finish this rhyme in 25 words or less: The importance of being punny/ Is that it earns you loads of (Not to mention a trip to Europe, a complete gas heat installation, and a date with Sid Caesar.).
You Are What You Write, by Susan Middaugh. And if you're one honey of a writer, you ought to try your hand at food writing. Here's an appetizer.
Editing a Company Magazine, by Celia Hilliard. If you can please all the people all the time, company magazines are looking for you. They must appeal to the mailboy and the president, and report on the lunchtime domino games and the insuranc rates. Here's how to feel at home writing house magazines. Where the Jobs Are (page 42) explores the market for budding house editors. A shining job opportunity for freelancers, for sure.
Elsewhere:.
Nonfiction.
Poetry.
The Writing Life.
The Markets.
Help.
Market Update.
Contests & Awards56 Books.
Letters.
Cartooning.
Other Voices.
______
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