Measures 8-11/32" X 11", 68 pp plus covers -- full color and b&w photos and illustrations -- Volume 7, Number 9 (December 14-28, 1968), published by Ramparts Magazine Inc. (CA).

Group 19-9664

Typical condition for a progressive & radical political & arts magazine of nearly 60 years -- worn and chipped edges and corners, creases, browning, scratches and indentations, rub-wear and soiling, folds and short tears -- but All pages are COMPLETE


Another issue of the "new and improved" RAMPARTS,  the most prestigious and controversial of 1960s radical leftist magazines, featuring:

Front Cover -- ELDRIDGE CLEAVER of the BLACK PANTHERS

Apologia -- WARREN HINCKLE III

The Following Is An Address Given By ELDRIDGE CLEAVER At A Rally In His Honor Given A Few Days Before He Was Scheduled To Return To Jail -- by ELDRIDGE CLEAVER

In Defense Of Chaos -- by BEN SHAHN

School's Out (Black Student Union Strike At San Francisco State College) -- by GENE MARINE & REESE ERLICH

SOREL'S BESTIARY - The Satyr (ARISTOTLE ONASSIS, JACQUELINE KENNEDY & Greek Colonel GEORGIOS PAPADOPOULOS) -- by EDWARD DOREL

The Last Hurrah Of Cardinal PATRICK ALOYSIUS BOYLE (Chastising Roman Catholics Who Protest POPE PAUL VI's Decision Against The BIRTH CONTROL PILL) -- by MARIANNE HINCKLE

The Agit Pop Art Of CUBA (Political Posters From Communist Cuba) -- by DUGALD STERMER

Infiltrating Nixon (Undercover Political Espionage Inside RICHARD NIXON'S 1968 Presidential Campaign) -- by EMMA ROTHSCHILD

LITTON INDUSTRIES : Proving Poverty Pays : Part Two (Corporate Welfare) -- by DAVID HOROWITZ & REESE ERLICH

Back-Of-The-Book:

     Blacklisting Poets (Book Review Of "IN THE MECCA" by GWENDOLYN BROOKS, reviewed by JAMES N. JOHNSON)

     Small Worlds (Book Review Of "MOSBY'S MEMOIRS AND OTHER STORIES" by SAUL BELLOW, reviewed by WILLIAM CHACE)

     Sexology -- Understanding Orgasm (Reviewing MASTERS & JOHNSON's Experiments In Sexuality) -- by SUSAN LYDON

     Cinema -- Documenting The Ghetto (Movie Review Of "NO VIETNAMESE EVER CALLED ME N-----R") -- by ART GOLDBERG

Correspondence


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