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The Swiss (German: die Schweizer, French: les Suisses, Italian: gli Svizzeri, Romansh: ils Svizzers) are citizens or natives of Switzerland. The demonym derives from the toponym of Schwyz and has been in widespread use to refer to the Old Swiss Confederacy since the 16th century.

Although the Swiss Confederation, the modern state of Switzerland, originated in 1848, the period of romantic nationalism, it is not a nation-state, and the Swiss are not usually considered to form a single ethnic group, but a confederacy (Eidgenossenschaft) or Willensnation ("nation of will", "nation by choice", that is, a consociational state), a term coined in conscious contrast to "nation" in the conventionally linguistic or ethnic sense of the term.

The number of Swiss nationals has grown from 1.7 million in 1815 to 6.76 million in 2009, 90% of them living in Switzerland. About 60% of those living abroad reside in the European Union (423,300); the largest overseas expatriate community is in Argentina (150,000).

The traditional ethnic composition of the territories of modern Switzerland includes the following components:

The German-speaking Swiss (Deutschschweizer), i.e. Alemannic German, historically amalgamated from the Gallo-Roman population and the Alemanni and Burgundii, including subgroups such as the Walser. "Swiss" from the 16th to 18th centuries referred to this group exclusively, and only with the expansion of the Swiss confederacy following the Congress of Vienna was the term applied to non-Alemannic territories. Closely related German-speaking peoples are the Alsatians, the Swabians and the Vorarlbergians.

the French-speaking Swiss (Romands), traditionally speaking Franco-Provençal dialects, today largely assimilated to the standard French language (Swiss French), amalgamated from the Gallo-Roman population and Burgundians (the historical Upper Burgundy). They are closely related to the French (especially those of Franche-Comté).

the Italian-speaking Swiss (Svizzeri italiani), traditionally speakers of Lombard language (Ticinese variety) today partly assimilated to the standard Italian language, amalgamated from Raetians and Lombards. They are closely related to the Italians (especially Lombards and Piedmontese).

The Romansh, speakers of the Romansh language, settling in parts of the Grisons, historically of Raetic stock.

With worldwide human migration, there are an increasing number of Swiss not descended or only partially descended from the core ethnic groups listed above. Most naturalized Swiss citizens will be linguistically oriented according to their canton of residence.

Similarly, differences between the various regions of Switzerland are increasingly being levelled as a consequence of increased mobility, so that the Swiss as a whole may be argued to be in the process of undergoing ethnogenesis.

Cultural history and national identity

The Swiss populace historically derives from an amalgamation of Gaulish or Gallo-Roman, Alamannic and Rhaetic stock. Their cultural history is dominated by the Alps, and the alpine environment is often cited as an important factor in the formation of the Swiss national character. The "Swiss illness", the condition of Swiss mercenaries pining for their mountainous native home, became prototypical of the medical condition of nostalgia ("homesickness") described in the 17th century,

Switzerland is atypical in its successful political integration of a multiethnic and multilingual populace, and is often cited as a model for new efforts at creating unification, as in the European Union's frequent invocation of the Swiss Confederate model. Because the various populations of Switzerland share language, ethnicity, and religion not with each other but with the major European powers between whom Switzerland during the modern history of Europe found itself positioned, a policy of domestic plurality in conjunction with international neutrality became a matter of self-preservation. Consequently, the Swiss elites during the period of the formation of nation states throughout Europe did not attempt to impose a national language or a nationalism based on ethnicity, instead pushing for the creation of a civic nation grounded in democratic ideology, common political institutions, and shared political ritual. Political allegiance and patriotism was directed towards the cantons, not the federal level, where a spirit of rivalry and competition rather than unity prevailed. C. G. Jung advanced the view that this system of social order was one of a "chronic state of mitigated civil war" which put Switzerland ahead of the world in a civilizatory process of "introverting" warlike aggression.

From the 19th century there were conscious attempts to foster a federal "Pan-Swiss" national identity that would replace or alleviate the cantonal patriotisms. Among the traditions enlisted to this end were federal sharpshooting competitions or tirs, because they were one of the few recognized symbols of pan-Swiss identity prior to the creation of the 1815 Confederation and because they traditionally involved men from all levels of society, including the peasants, who in Romantic nationalism had become ideologically synonymous with liberty and nationhood. An additional symbol of federal national identity at the federal level was introduced with the Swiss national holiday in 1889. The bonfires associated with the national holiday have become so customary since then that they have displaced the Funken traditions of greater antiquity. Identification with the national symbolism relating to the Old Swiss Confederacy was especially difficult for the cantons which had been joined to the Helvetic Republic in 1798 without any prior history of participation in the Swiss Confederacy, and which were given the status of Swiss cantons only after the end of the Napoleonic era. These specifically include Grisons, Valais, Ticino, Vaud and Geneva. St. Gallen is a special case in a different sense, being a conglomerate of various historical regions created in 1803; in this case, patriotism may attach itself even to sub-cantonal entities, such as the Toggenburg. Similarly, due to the historical imperialism of the canton of Berne, there is considerable irredentism within the Bernese lands, most visibly in the Bernese Jura but to a lesser extent also in parts of the Bernese Oberland such as Hasli.

According to Hartley-Moore (2007:213f.),

Localized equivalents of nationalist symbols were also essential to the creation of Swiss civil society. Rather than allowing a centralized federal government to force assimilation to a national ideal, Swiss policy nourished individual characteristics of different regional and language groups" throughout the country. In the Swiss model, pride in local identity is to some degree synonymous with loyalty to the larger state; national identity is nurtured through local "patriotism." As Gottfried Keller argued in the nineteenth century, "Without cantons and without their differences and competition, no Swiss federation could exist".------------------

In music, a single or record single is a type of release, typically a recording of fewer tracks than an LP or a CD. This can be released for sale to the public in a variety of different formats. In most cases, the single is a song that is released separately from an album, but it can still appear on an album. Often, these are the most popular songs from albums that are released separately for promotional uses such as commercial radio airplay, and in other cases a recording released as a single does not appear on an album. 45 rpm records are played on a record player or turntable. They can be played one at a time, with the records changed manually after they finish, or a stacking spindle could be used to play up to six in succession without manually changing them. The use of the spindle led to the coined "Stack O Wax" term in the 1950s.

History: The basic parameters of the music single were established in the late 19th century, when the gramophone record began to supersede phonograph cylinders in commercial music. Gramophone discs were manufactured with a range of playback speeds (from 16 rpm to 78 rpm) and in several sizes (including 12″/30 cm). By around 1910, however, the 10-inch (25 cm) 78 rpm shellac disc had become the most commonly used format.

The inherent technical limitations of the gramophone disc defined the standard format for commercial recordings in the early 20th century. The relatively crude disc cutting techniques of the time and the thickness of the needles used on record players limited the number of grooves per inch that could be inscribed on the disc surface, and a high rotation speed was necessary to achieve acceptable recording and playback fidelity. 78 rpm was chosen as the standard because of the introduction of the electrically powered synchronous turntable motor in 1925, which ran at 3600 rpm with a 46:1 gear ratio, resulting in a rotation speed of 78.26 rpm.

These factors, combined with the 10-inch songwriters and performers increasingly tailored their output to fit the new medium. The 3-minute single remained the standard into the 1960s when the availability of microgroove recording and improved mastering techniques enabled recording artists to increase the duration of their recordings. In 1968 songwriter Jimmy Webb shattered the standard 3 minute format with "MacArthur Park" which exceeds 7 minutes length. Although Webb had written million-selling songs and was a multiple Grammy winner, the song had been rejected by several labels as simply too long for the marketplace to bear. The Beatles' also challenged deliberately the long-standing 3-minute standard for pop singles with their 1968 7 minute 20 second single "Hey Jude" which according to some was extended in length in order to exceed "MacArthur Park"

Singles have been issued in various formats, including 7-inch (18 cm), 10-inch (25 cm) and 12-inch (30 cm) vinyl discs (usually playing at 45 rpm); 10-inch (25-cm) shellac discs (playing at 78 rpm); cassette, 8 and 12 cm (3- and 5-inch) CD singles and 7-inch (18 cm) plastic flexi discs. Other, less common, formats include singles on digital compact cassette, DVD, and LD, as well as many non-standard sizes of vinyl disc (5″/12 cm, 8″/20 cm, etc.).

The most common form of the vinyl single is the 45 or 7 inch, the names are derived from its play speed, 45 rpm and the standard diameter 7″ (18 cm).

The 7″ 45 rpm record was introduced in 1949 by RCA as a smaller, more durable and higher-fidelity replacement for the 78 rpm shellac discs. The first 45 rpm records were monaural, with recordings on both sides of the disc. As stereo recordings became popular in the 1960s, almost all 45 rpm records were produced in stereo by the early 1970s.

Although 7″ remained the standard size for vinyl singles, 12″ singles were introduced for use by DJs in discos in the 1970s. The longer playing time of these singles allowed the inclusion of extended dance mixes of tracks. In addition, the larger surface area of the 12″ discs allowed for wider grooves (larger amplitude) and greater separation between grooves, the latter of which results in less cross-talk. Consequently, they 'wore' better, and were less susceptible to scratches. The 12″ single is still considered a standard format for dance music, though its popularity has declined in recent years.

The sales of singles are recorded in record charts in most countries in a Top 40 format. These charts are often published in magazines and numerous television shows and radio programs count down the list. In order to be eligible for inclusion in the charts the single must meet the requirements set by the charting company, usually governing the number of songs and the total playing time of the single.

In popular music, the commercial and artistic importance of the single (as compared to the EP or album) has varied over time, technological development, and according to the audience of particular artists and genres. Singles have generally been more important to artists who sell to the youngest purchasers of music (younger teenagers and pre-teens), who tend to have more limited financial resources. Perhaps the golden age of the single was on 45's in the 1950s and early 1960s in the early years of rock music. Starting in the mid-sixties, albums became a greater focus and more important as artists created albums of uniformly high quality and coherent themes, a trend which reached its apex in the development of the concept album. Over the first decade of the 21st century, the single generally received less and less attention in the United States as albums, which on Compact Disc had virtually identical production and distribution costs but could be sold at a higher price, became most retailers' primary method of selling music. Singles continued to be produced in the UK and Australia but have declined since the mid first decade of the 21st century.

Dance music, however, has followed a different commercial pattern, and the single, especially the 12-inch vinyl single, remains a major method by which dance music is distributed.

As of 2006 the single seems to be undergoing something of a revival. Commercial music download sites reportedly sell mostly single tracks rather than whole albums, and the increase in popularity seems to have rubbed off on physical formats. Portable audio players, which make it extremely easy to load and play songs from many different artists, are claimed to be a major factor behind this trend.

A related development has been the popularity of mobile phone ringtones based on pop singles (on some modern phones, the actual single can be used as a ringtone). In September 2007, Sony BMG announced they would introduce a new type of CD single, called "ringles", for the 2007 holiday season. The format included three songs by an artist, plus a ringtone accessible from the user's computer. Sony announced plans to release 50 ringles in October and November, while Universal Music Group expected to release somewhere between 10 and 20 titles.